Media
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Review: Still Life: Flesh, Barbican
From four images flow a smorgasbord of emotions. They spill out off the stage and fill the Barbican Theatre with their tender embrace…
Review by Alexander Cohen, in Broadway World on Jan. 26, 2023
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Flesh – The Language of the Body
On July 23, 2022, the young Cultural Reporters of the Avignon Festival met with the artistic team of Flesh: stories of flesh, but also stories of our relationships.
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Festival d’Avignon: «Flesh», chut des corps
In four short, wordless plays, the Still Life collective sketch out a universe where every carnal encounter turns into a catastrophe, somewhere between the fantastic and the horrific.
by Anne Diatkine, in Libération, 21/07/2022
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Making fake to tell the truth: 'Strangeness does not come from nowhere; it is rooted in the familiar.
Marie Baudet, in La Libre, 11/02/2022.
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Fantastic Realism in Theater, Tracks ARTE, 2023.
The Belgian company "Still Life" shapes its plays like paintings. The duo Aurelio Mergola and Sophie Linsmaux aim to make their theater realistic in order to better capture the audience and take them towards phantasmagoria.
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NO ONE - THE MAETERLINCK CRITICS' AWARDS
Staging, directing, acting dynamics... It takes talent to ensure the coherence of a show...
